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Projections by NYC Light Brigade and The Illuminator, earlier this evening at Brooklyn Academy of Music.
Dept. of Restoring My Hope for Humanity: According to the National Oceanic and Atmospheric Administration (NOAA), this whale assist took place on Monday, when “a team of specially trained rescuers freed an entangled male humpback whale near Lahaina in the waters of NOAA’s Hawaiian Islands Humpback Whale National Marine Sanctuary, saving the animal from a potentially life-threatening predicament.”
According to a NOAA press release, the team cut away two buoys and over 200 feet of line from the whale, but didn’t find or retain the key buoy that might have allowed them to identify where the gear came from. Entanglement in fishing gear is a major threat for whales and other marine wildlife.

Hot off the pixel presses, a new piece surveying the impact of persistent, bioaccumulative, toxic pollutants like PCBs and flame retardants on harbor seals, and potential for change: Tackling a Hidden Threat to Marine Mammals
Photo of harbor seal by Andres Trepte, www.photo-natur.de, via Wikimedia Commons
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Writer Teju Cole’s news tweets are among the most compelling reading on Twitter. He calls them “small fates”:
Since his tenant Edith wouldn’t volunteer to leave, Onukafor released a snake in her apartment to encourage her. In Ago-Okota.
— Teju Cole (@tejucole) January 8, 2013
They’ve inspired @dronestream, a project by @joshbegley to tweet every U.S. armed drone strike since 2002:
Dec 17, 2010: In the third strike of the day, houses were destroyed. 32 people died (Pakistan) thebureauinvestigates.com/2011/08/10/oba…
— Dronestream (@dronestream) January 8, 2013
Honored (and surprised) that small fates helped inspire the deeply ethical, profoundly disturbing @dronestream project. nymag.com/daily/intellig…
— Teju Cole (@tejucole) January 8, 2013
Today Cole explained how he composes his small fates.
It’s about craft and polish: working and re-working pace, punctuation, word choices until he gets what he wants.
I’m often asked what my small fates process looks like. It’s like the making of laws or sausages: unsightly.
— Teju Cole (@tejucole) January 8, 2013
For the curious, here’s the anatomy of a small fate.
— Teju Cole (@tejucole) January 8, 2013
First I find a story in one of a dozen Nigerian newspapers, either via their Twitter feeds or from their websites.
— Teju Cole (@tejucole) January 8, 2013
Then I compose. In Word if I’m home, on email if I’m out. I use Helvetica Neue because I can estimate (from experience) the character count.
— Teju Cole (@tejucole) January 8, 2013
The last fate (snake in an apartment) went through 8 drafts and took about 15 minutes. That’s about average for me.
— Teju Cole (@tejucole) January 8, 2013
The basic concept for this one came early, so my editing was for speed of the line, rhythm, and ironic inflection.
— Teju Cole (@tejucole) January 8, 2013
But often I’ll start with one concept and completely change it halfway through. Some fates go to 20 drafts. The longest took 30 minutes.
— Teju Cole (@tejucole) January 8, 2013
Three commas are slower than one. A rare word can help stretch a story’s sense of time. But I wanted this particular story to zip along.
— Teju Cole (@tejucole) January 8, 2013
I chose late on to use Edith Ndu’s first name instead of her last. When I got to “encourage her” instead of “help her decide,” I was done.
— Teju Cole (@tejucole) January 8, 2013
Anatomy of a small fate. twitter.com/tejucole/statu…
— Teju Cole (@tejucole) January 8, 2013
Cole’s got me thinking about how I currently use Twitter, how I could better engage readers, and convey information more powerfully.